Brochant de Villiers and Arts of the 20th Century Collection

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FRENCH SCHOOL CIRCA 1690 Bust-length portrait of a lady, formerly known as Madame de Sévigné TOILE 55 x 44 cm Carved and gilded wooden frame, gilded, French work of the 18th century Provenance: Collection of André Brochant de Villiers (1772-1840), then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

DUTCH SCHOOL CIRCA 1626, ENTOURAGE OF JAN VAN BIJLERT A Carnival Concert TOILE 98.5 x 120 cm Monogrammed (?) on the neck of the instrument SVH (? or SNH) and dated 1626 (?) Modern giltwood frame With its format, half-body figures, even light emphasising realistic details, tight framing and cheerful composition, our painting is a perfect example of the Caravaggesque aesthetic imported from Rome to the Netherlands, particularly Utrecht, by artists such as Gerrit Honthorst, Hendrick Ter Brugghen, Dirk Van Baburen and Jan Van Bijlert . Inspired by the many Caravaggesque banqueting and concert scenes painted in Rome in the early 17th century, but with a more playful connotation and a lighter, brighter palette, our painting is a slightly more rustic representation of the spirit of the Comedia dell' Arte. The figures in Carnival costume are equipped with a variety of kitchen utensils - poker, colander, foëne - which they use as musical instruments; in a festive, cheerful atmosphere, four young men have gathered to make some noise. The older figure on the left is hiding playing cards in the back of his hat: he is the epitome of a cheat trying to deceive the world around him. He is wearing a mask, the traditional attribute of fraud. The red waistcoat with white holes in the back, the large blue striped sleeve and the improvised turban tied on his neighbour's head are all references to the compositions of the Utrecht painters, whose Concert by Hendrick ter Brugghen (1626-1627, London, National Gallery) and Gerrit Honthorst (1623, Washington, The National Gallery of Art) are models of the genre. Similarly, the feathered hat recalls the secular subjects of Gerrit van Honthorst and Jan van Bijlert. The young man with a half-naked back, who closes the composition on the right, is indirectly derived from the musician seen in Caravaggio's Concert at the Metropolitan Museum in New York. The man in the background is making a gesture similar to "la fica", an obscene and insulting gesture frequently found in Caravaggesque painting of the period, both in France (Vouet, Vignon) and in Italy and the Netherlands, reflecting the light-hearted and provocative nature of these paintings. Provenance: Toulon collection Expert : Stéphane Pinta - Cabinet Turquin et associés

FRENCH SCHOOL CIRCA 1690, ENTOURAGE OF JACOB FERDINAND VOET Portrait of a young princess OVAL CANVAS 65,5 x 52 cm Carved oak frame gilded with Louis XIV style leaves (cracks and tarring) Provenance: Collection of André Brochant de Villiers (1772-1840), then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

FRENCH SCHOOL CIRCA 1700 Portrait of Prince Louis-Alexandre de Bourbon (1678-1737) OVAL CANVAS 55 x 46 cm Oak leaf frame from the Louis XIV period (old restorations) Provenance: Collection of André Brochant de Villiers (1772-1840), then by descent. Prince Louis-Alexandre de Bourbon, (1678-1737) Count of Toulouse, seventh Duke of Penthièvre and Rambouillet, was the last son of the Prince. Rambouillet, was the last son legitimised by Louis XIV from his affair with Françoise-Athénais de Rochechouart Mortemart, Marquise de Montespan. An engraving by Nicolas de Larmessin (1632-1694) is very close to our painting (https://gallica.bnf.fr/ark:/12148/btv1b84088647). Expert | Stéphane Pinta - Cabinet Turquin et associés

A Louis XIV period MAZARINE COMMODE in fruitwood and burlwood veneer inlaid in black filleted frames. It opens with four drawers. Bracket-shaped legs ending in hind legs. Ornamented with chased and gilded bronzes, probably brought in. 82 x 121 x 63 cm (restorations) Provenance: Acquired at public auction in the Château de Neuville Furniture and Works of Art sale - 20 September 2009

PAIR OF PAINTED TILES Provence XVIIIth Century decorated with riverside landscape animated with a building and birds for one and a building, musician, flock of sheep and bird for the other and shell spandrels Mounted on later stretchers 190 x 146 cm In 18th century giltwood frames (one with restorations)

Louis XIV period moulded fruitwood COMMODE with curved front opening to six drawers in three rows Black marble top (probably added) Straight legs Old gilt bronze drawer handles and lock escutcheons (reported) 82.5 x 109 x 62.5 cm (insect damage) Provenance: Furniture from the Château de Villiers in Mantes la Ville, then by descent

IN THE STYLE OF HYACINTHE RIGAUD Portrait of a Lady with a Red Stole OVAL CANVAS 82 x 64 cm Louis XIV period gilded wood frame (accident) Provenance: Collection of André Brochant de Villiers (1772-1840), then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

FRENCH SCHOOL CIRCA 1730, ENTOURAGE OF ALEXIS SIMON BELLE Portrait of Jeanne Gourly(1676-1754), wife of Andre Brochant du Breuil (1669-1734) TOILE 82 x 66 cm Louis XIV period carved and gilt wood frame Coat of arms on the top left (old restorations) Provenance: André Brochant de Villiers (1772-1840) then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

FRENCH SCHOOL CIRCA 1740 Portrait of Joachim Grenard (1689-1760) ordinary corrector councillor at the Chamber of Auditors TOILE 81 x 65 cm Louis XV period carved wood frame with gilded pediment (accidents) Handwritten label on the back: Joachim Grenard / ecuyer conseiller du roi / corecteur en la chambre du roy / né en 1689 mort le 15 juillet 1760. According to the genealogy of the Brochant de Villiers family, Joachim Grenard "pursued an idle and sumptuous existence between his house at Mezière suR Seine and the at least ten houses he successively owned in Paris". Provenance: André Brochant de Villiers (1772-1840) then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

Attributed to Donatien NONOTTE (1708-1785) Portrait of Marie Renée Regnault (1693-1756), wife of Pierre Hillaire de Beaufort (1716-1759) TOILE 115 x 89 cm 19th century gilt moulded wood frame Handwritten label on the back: Marie Renée Regnault / married on August 4, 1716 to Pierre Hil....de beaufort/ secretaire du Roy, procureur des comptes / died on September 8, 1756 at the age of 66. (lifting and old restorations) Provenance: André Brochant de Villiers Collection (1772-1840) then by descent The model is making small pieces of lace, holding a shuttle in her right hand and a poke in her lap. a shuttle in her right hand and a work pouch in her lap. This "art of frivolities" or knot-tying was one of the pastimes of high society women in the 18th century, and is also illustrated in the portrait of Anne Jarry by Louis Tocqué (1753, Paris, Musée du Louvre) and that of Marie Adelaïde by Jean-Marc Nattier (1756, Château de Versailles). Expert | Stéphane Pinta - Cabinet Turquin et associés

SUITE OF 4 Louis XV period cabriolet back armchairs stamped DELANOIS in moulded and carved wood decorated with flowers and cream lacquered. Cambered legs with ribs Armchairs 87.5 x 61.5 x 48.5 cm A PAIR OF CHAIRS of a similar design is included 85.5 x 48 x 41.5 cm (seats in good condition, faded upholstery) Louis Delanois, master carpenter in Paris in 1761 Provenance: Furniture from the Château de Villiers in Mantes la Ville, then by descent.

A Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period Louis XV period It opens to two drawers Green marble top (repaired, removed) Gilt bronze ornamentation 88 x 119 x 59.5 cm (discoloration, chips to the marble)

SUITE OF 4 CHAIRS AND 2 CHAIRS with cabriolet violonné backs, Louis XV period, stamped DUPAIN and hallmarked in moulded and carved wood with green lacquered flowers. Cambered legs with ribs Armchairs: 88.5 x 60 x 51 cm Chairs: 88.5 x 51 x 44 cm (worn upholstery, worn lacquer, 1 chair with belt reinforcements for the rear legs and 1 front leg weakened) Andrien-Pierre Dupain, master carpenter in Paris in 1772 Provenance: Furniture from the Château de Villiers in Mantes la Ville, then by descent.

18th CENTURY FRENCH SCHOOL, FOLLOWER OF JEAN RAOUX Young girl at the window ORIGINAL CANVAS 82 x 65 cm 19th century wood and gilded stucco frame with palmettes (missing) Label top left n°224 (accidents and scratches) Provenance: Collection of André Brochant de Villiers (1772-1840), then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

18th CENTURY FRENCH SCHOOL, FOLLOWER OF NICOLAS LANCRET Lunch on the Grass TOILE 55 x 65 cm Gilded wood frame in the Louis XVI style (missing) Provenance: Collection of André Brochant de Villiers (1772-1840), then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

WOODEN COMMODE with curved front and sides - Baroque period Italy 18th Century inlaid with leaves and birds in foliage on the sides opening to three drawers. Grey Saint-Anne marble top (later, added) Cambered legs Gilded bronze trim, later period and added on 88 x 144 x 71 cm (scratches on the top and wear and tear, minor damage and missing veneer) Bibliography | A similar model can be found in: G. Wannenes, Le mobilier Italien du XVIIIème Siècle - Commodes Génoises période Baroque in the book, page 167.

LARGE rectangular mercury mirror with gilded wood frame in the Baroque style - Italy 19th Century with partially openwork decoration of acanthus leaves and fleurons. The pediment has a cartouche framed with floral scrolls 143.5 x 127.5 cm (Accidents and missing pieces, some wear to the gilding, pitted sheen)

COVERED silver ECUELLE stamped with a coat of arms surmounted by a count's crown. The contoured lugs are decorated with palmette and scroll motifs in applique on a bitter background. The moulded stave lid is highlighted with gadroons. The fretel decorated with a flower on a mound of radiating gadroons. PARIS, 1726 -1727. Master silversmith: Nicolas Antoine de Saint Nicolas, received in 1714. Length to the ears: 31.8 cm Diameter: 18 cm H. 11 cm Weight: 845 g (slight dents, restoration and repolishing) Condition report: On the lid: hallmark - date letter K- MO - on the throat: discharge (merlette) and Mo On the body: hallmark - date letter K- MO discharge (grenade) MO on the ears Coat of arms on the body and lid, probably bearing the arms of François Boula (1677-1769), sgr. de Quincy, comptroller of the mint (1696-1705), comptroller counterguard to the private director of the Paris mint (1705-1716), treasurer general of the King's stables and livery (1709-1769). At the time of his death, his fortune was valued at 6,076,984 lt, including 40,000 lt in cash, silver crockery and furniture. He must have known the Brochant family, who were also Treasurers of the King's Stables at the same time. Jacques Chevillard le fils, Dictionnaire héraldique , A Paris, chez l'auteur, 1723, p. 168. [A.N. M.C., LVII, 489, 18 March 1769, IAD. Claeys (Thierry), Dictionnaire biographique des financiers en France au XVIIIe s., Paris, 2009, 2 vols. t.2, pp.301-304 and 372 sq. Provenance: Furniture from the Château de Villiers in Mantes la Ville, then by descent. Expert : Emeric & Stephan Portier

A PAIR OF SILVER FLAMBEAUX AND THEIR BOBECHES standing on a round contoured base with oval mouldings and twisted gadroons on the umbilicus. The shaft is baluster-shaped with pinched sides. The contoured fillet bobèches are underlined by an oval moulding. PARIS 1772-1773 Master silversmith : Jean Francois Villemsens received in 1771 H. 27.8 cm Weight. 1.165 kg (slight knocks, accidents and restorations) Condition report : (slight knocks, small holes in one tap, old restorations) Provenance: Furniture from the Château de Villiers in Mantes la Ville, then by descent. Expert : Cabinet Emeric & Stephan Portier

Based on a design by Thomas GERMAIN (1673-1748) - A silver COUVERED CANDLE with an engraved three fleur-de-lys escutcheon on the body. The snake-shaped cover forms a ring surmounting a partially openwork rosette with twisted flutes. The snake angels in relief Swan hallmark p. 1655 g. H. 11.5 cm, D. 23 cm, L. with handles: 32.8 cm An identical model in the Louvre collections under N° OA 9435

IMPORTANT silver TERRINE in oval form, standing on a plain moulded pedestal. The body is embossed and chased with a branch of flowers and foliage running around it. The double scrolled handles are attached to the body by rocailles. The doucine lid is edged with fillets and a small branch of chased flowers and leaves. The stylized pomegranate handle rests on a base of cut, wavy and chased leaves. The interior is in vermeil. Master-gilder: Georg Carl BRENNER (1754-1814) CELLE, circa 1770 Height: 23.3 cm Length : 36,4 cm Weight: 1840 g (small dents in the lid) Provenance: ADER-PICARD-TAJAN sale, Antique and modern jewellery, showcase objects, Antique and modern silverware, Experts Messrs BOUTEMY and DECHAUD, DROUOT Rive Gauche, room 6, 14 March 1977, lot 101 (ill. pl. VI). History: The catalogue of the sale on 14 March 1977 states: "According to family tradition, this tureen was given by Goethe to Charlotte Buff on her wedding day in 1773. Charlotte Buff is known to have been the heroine of Goethe's novel The Sufferings of Young Werther. In an article published in Le Figaro on 1 March 1977, Yves DETAN recounts the destiny of this object, which is closely linked to one of the most famous platonic love stories in history. Goethe is said to have given this terrine to Charlotte Buff, the "heroine" of his "Werther", when she married Jean-Chrétien Kestner on 14 April 1773. Charlotte Kestner had eleven children. On her death in 1828, the terrine probably passed to Auguste Kestner, an art historian and collector, archaeologist and diplomat who lived in Rome. He was a friend of Goethe's son, Auguste Goethe. He took Goethe in and saw him die at home of a fever. In Rome, in the small Protestant cemetery of Caius Cestius, the tombs of the two friends - Charlotte's son and Goethe's son - are next to each other. According to the journalist of the time, we can follow the story of this terrine. It passed to the third son of the heroine of "Werther", who founded a chemical products factory in Alsace; then to his grandson, who developed his father's factory in Thann in the Haut-Rhin. Then to his great-grandchildren, Céline and Auguste Scheurer-Kestner. The latter became Vice-President of the French Senate. Convinced of Captain Dreyfus's innocence, he initiated a review of the trial. Two generations later, the terrine was auctioned off at Drouot Rive Gauche. Charlotte Buff was born on 11 January 1753 in Wetzlar, a Free City of the Holy Roman Empire, near Frankfurt am Main and Marburg. In 1772, the 23-year-old Goethe arrived in Wetzlar, where the Imperial Court was then sitting, to study law at his father's request. He first made the acquaintance of Jean-Chrétien Kestner, secretary to the legation of the Electorate of Hanover, who had just become engaged to Charlotte Buff, and who introduced him to the German House, headquarters of the Teutonic Order. Goethe first saw Charlotte at a country ball in Volpertshausen on 9 June 1772, and was immediately struck by her simple, natural grace. He painted a portrait of the 19-year-old girl in the twelfth book of Vérité et Poésie: "She was one of those women who, without inspiring violent passions, are made to hold everyone under their spell. A slight waist, elegant forms, a beautiful and pure health, and the joyful activity that comes with it; the easy fulfilment of daily duties; all these gifts were shared. Kestner and Charlotte married on 14 April the following year, and settled in Hanover, capital of the Electorate of Hanover (whose sovereign was also King of England). Kestner died on 24 May 1800. Hanover was occupied by French troops in 1803, and Charlotte Kestner sought temporary refuge in Wetzlar. In 1816, she came to spend a few days with her sister, who was married in Weimar, and on this occasion she saw Goethe for the last time. Her papers and those of her husband are in the hands of their grandson, George Kestner, who lives in Dresden, capital of the Kingdom of Saxony. The documents relating to Goethe's stay in Wetzlar and the composition of Werther were published by Auguste Kestner, a legation counsellor like her father and resident minister at the Court of Rome. She died on 16 January 1828 in Hanover1 at the age of 75. Goethe died in 1832. ....... Expert | Maxime CHARRON

A Louis XVI period white marble and gilt bronze CLOCK with allegorical decoration of the Monarchy liberating people from slavery. White enamel dial with Roman numerals for the hours and Arabic numerals for the minutes Wire-suspension movement complete with stamp and key, in apparent working order (no guarantee) Base decorated with rosettes, skate feet 30 x 30 x 13.5 cm (wear and oxidation to the gilding and enamel chips to the winding holes) Provenance: Furniture from the Château de Villiers in Mantes la Ville, then by descent

A Louis XVI period mercury mirror with a gilded wood frame decorated with foliage festoons, vine branches and crowned with a floral basket. 110 x 69 cm (minor damage and missing parts, minor restorations, slightly pitted sheen)

FRENCH SCHOOL CIRCA 1770 Presumed portrait of Anne Félicité de Beaufort (1731-1796), wife of Jean Baptiste de Pille (1714-1796) PASTEL 45 x 52 cm Giltwood frame in the Louis XVI style Provenance: Collection of André Brochant de Villiers (1772-1840), then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

FRENCH SCHOOL CIRCA 1770 Woman artist painting a portrait of a man on an easel PASTEL 64 x 80 cm Louis XV period ribbon knot frame (knot brought back in the 19th century) This could be the portrait of André Joachim Brochant de Villiers (1745- 1784) councillor at the Parliament of Paris, painted by his wife Marie Félicité de Pille (1750-1818). Provenance: André Brochant de Villiers (1772-1840), then by descent. Expert : Stéphane Pinta - Cabinet Turquin et associés

A Louis XVI period carved and polychromed ALCOVE WOODEN ARM with a rich decoration of a crown and garlands of flowers and foliage. 130 x 228 cm (some polychromy, small accidents and missing pieces) Provenance: According to family tradition, this paneled room came from the Hôtel de Cabris built in Grasse between 1771 and 1774 by Jean Paul Clapiers, Marquis de Cabris, now the Musée Fragonard. Bibliography: Elements of the woodwork from the Hotel de Cabris are on display in the Period Rooms of the Metropolitan Museum of Art.

CANON with the coat of arms of Michel Avice de Mougon (1713-1779), lieutenant of the marshals of France and his wife Perrine Catherine Forien (1721-1798). Bronze shaft, tuliped at the mouth, with two tourrillons and four reinforcing rings, decorated with a banner marked "LARIVAN". Chased dolphin handles, rounded breech plug. Wooden carriage with spoke wheels (wear). Iron wheel rims and fittings. A.B.E. 18th century barrel (circa 1760). Barrel from the 19th century. Barrel length: 59 cm. Inner diameter of muzzle: 3.5 cm. Total length with stock: 104 cm. (Traces of oxidation, used condition, some missing parts and accidents). We would like to thank Mr Alban Pérès for his help in identifying the coat of arms. History: Michel Avice de Mougon (1713-1779), Lord of Surimeau, Lieutenant of the Marshals of France in Niort. He was also a musketeer. He married Perrine Catherine Forien (1721-1798) around 1753. Expert | Cabinet Jean-Claude Dey

DEATH MASK OF KING HENRI IV In PATINUM PLASTER, stuffed. 29 x 17 cm. A.B.E. 19th century. History: This model of a death mask of King Henri IV is said to have been made during the Restoration period from a cast taken when the tombs of Saint-Denis were violated. The desecration of the royal tombs in the Basilica of Saint Denis took place between August 1793 and January 1794. The coffin of Henri IV was opened on 12 October 1793, and the very well-preserved body (particularly the head) was displayed until 14 October. A number of relics such as hair, nails and beard hairs were removed in the meantime. Provenance: André Brochant de Villiers Collection (1772 - 1840), then by descent Expert | Cabinet Jean-Claude Dey

SAVONNETTE POCKET WATCH in 18k (750) gold with striking mechanism, full calendar, phases of the moon, lightning seconds, once owned by Admiral René-Julien Marquis. Round case on hinge, guilloché and initials "AB" on the back, on the case middle a slide to operate the minute repeater, gold bowl inscribed "Charles Oudin Hger de la Marine Palais Royal 52 Médailles de 1806 à 1864" and numbered "21568", inside the case back the master hallmark "B" for Louis Audemars and the mark "AM" for the case manufacturer, as well as the case number "9872" (glass missing) White enamel dial with moon phases and ages, 3 subdials for the date, months and days of the week, 1/5th of a second "Diablotine" counter, external railway minute track, signed Movement based on a Swiss Louis Audemars calibre, lever escapement with spiral balance, advance/delay adjustment, striking mechanism with two hammers on a gong for minute repetition, inscriptions on the plate. Diameter: 53 mm Gross weight 162 g This watch, which has remained in the same family since its first owner, belonged to one of its illustrious ancestors, René-Julien Marquis (1846-1929), Admiral of the French Navy. Since his death in 1929, this watch has remained in the family and is a testimony to the watchmaking art of the illustrious watchmaker Charles Oudin, a former pupil of the watchmaker Abraham-Louis Breguet. The present watch is an example of a complicated watch made on the basis of a Swiss ébauche by Louis Audemars for his loyal client, the famous naval watchmaker Charles Oudin in Paris, one of his main customers from 1860 onwards. It features the first crown-winding and time-setting mechanism with a counterweight lever, also known as a "bishop's crook lever", which was one of the hallmarks of high-quality watches at the time. Our example can be compared with the one delivered to the De la Cerda family, Dukes of Medinaceli in Spain, bearing the case number "21663", which makes our example an earlier construction than the one already known to collectors. More interestingly, the number inside the case back for our example is "9872" whereas the one delivered to the de Cerda family bears the number "9873", which also confirms that our watch was made in the same period. The Charles Oudin company, still in existence today under the impetus of the Berthet family, is an example of French watchmaking expertise since the early 19th century, particularly with the most illustrious of the dynasty's watchmakers, who signed his watches "Charles Oudin, Élève de Breguet". The company's illustrious customers include names that have left their mark on French and European history, such as Empress Josephine, Queen Victoria and Emperor Napoleon III, all key figures in 19th-century history. René Julien MARQUIS (1846-1929), son of Antoine MARQUIS and Victoire BARREAUT, was promoted to the rank of Vice-Admiral in 1903 and made a Grand Officer of the Legion of Honour in 1908. He ended his military career as Maritime Prefect in Toulon from 1905 to 1911. A painter and musician, he encouraged and supported the artistic beginnings of Charles Millot, known as GERVESE. Expert | Geoffroy ADER

SET OF THREE DECORATIONS that belonged to André BROCHANT de VILLIERS and his son Gustave André BROCHANT de VILLIERS : - Officer's star of the Legion of Honour from the July Monarchy period. Gold and enamel (chips). Posterior rosette ribbon. - Knight's star of the Legion of Honour, Second Empire period. Silver, gold and enamel. Ribbon. - Miniature knight's star of the Legion of Honour, Second Empire period. Silver, gold and enamel (chips). Ribbon. With engraved brass cartouche "A.J.M B de V 1821-1832" and "A L G B de V". Wood frame Not faded T.B. and T.T.B. History: André Jean Marie Brochant de Villiers (1772 - 1840), geologist, Inspector General of Mines (1834 - 1840), Director of the Manufacture des Glaces de Saint-Gobain, Member of the Academy of Sciences (1816), Officer of the Legion of Honour (1832). His son Gustave André Brochant de Villiers (1811-1864), lawyer, Member of Parliament for Seine et Oise (1858). Knight of the Legion of Honour (1857). Expert | Cabinet Jean-Claude Dey