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a painting of a woman holding a baby in her armsa painting of a woman holding a child in her armspainting of a young child holding a baby in his armsan image of a painting of a woman holding a babypainting of a woman holding a child in her armsan oil painting of a woman holding a baby in her armsa painting of an old wooden frame with a wooden top
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108 - Attributed to Francisco Meneses Osorio (Seville, circa 1640 …

Estimate €9,000 - €12,000
Sale commission
Description
Attributed to Francisco Meneses Osorio (Seville, circa 1640 - 1721) 'Madonna and Child' Oil on canvas. 95,5 x 76 cm. In a carved and gilded period wooden frame. Frame measurements: 104,5 x 88,5 cm. Francisco Meseses Osorio, a disciple and the most faithful follower of Murillo, was one of the 'most interesting figures on the Sevillian pictorial scene in the last third of the 17th century and first quarter of the 18th century', according to José Roda Peña, professor of art history at the University of Seville. His proximity to the master Murillo is evidenced, as Enrique Valdivieso states in his article for the Royal Academy of History, by 'the affiliation of his artistic forms with those of this master', as well as by the commission to Meneses, after Murillo's death, to complete the main altarpiece of the former church of Santa Catalina in Cadiz, Convent of the Capuchins, as he was the artist who 'could best complete the paintings in accordance with the style of the deceased master'. The deposit of paintings and sculptures by Murillo and Meneses from the aforementioned church and its main altarpiece is kept in the Museum of Cádiz. There are also works by the Sevillian artist preserved in his native city, such as an important 'San Miguel Arcángel', in the Hospital de la Santa Caridad; a high quality 'San José con el Niño' (1684) and 'San Cirilo en el concilio de Éfeso' (1701), both in the Museo de Bellas Artes (Museum of Fine Arts); and, among others, 'La Virgen de los Desamparados de Valencia con San Vicente Ferrer y San Pascual Bailón' (1701), a work conserved in the Museum of the Hospital del Pozo Santo in Seville, unpublished until 1996 and published in 1999 by José Roda Peña in an article in the magazine 'Laboratorio de Arte'. Outside Seville, we would highlight 'La Virgen de los Reyes' (1696), in the Museo Nacional de Escultura de Valladolid and 'Cristo salvador del mundo', in the American Bob Jones University. Bibliographic references: - Valdivieso, Enrique. (n.d.). 'Francisco Meneses Osorio'. Real Academia de la Historia. https://dbe.rah.es/biografias/12652/francisco-meneses-osorio - Roda Peña, José. (1999). Una pintura inédita de Francisco Meneses Osorio, in 'Laboratorio de Arte' (12), 191-198. http://dx.doi.org/10.12795/LA.1999.i12.19
About the sale ABBATIALIS. Res Sacra.
Auction location
Auction time 11/05/2026 at 7:00 PM
Pictures credits: Contact the Auction House
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