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The excellent auction sale
Adjudicated
:
£240,000RARE AZTEC / MIXTEC TURQUOISE MOSAIC MASK OF JAGUAR Ca. AD 1400 - 1521. A mask formed from a stucco core inlaid on the exterior with turquoise tesserae. The wide, circular eyes are set with dark stone inlays. The nostrils are cut through the surface, forming two openings between the raised nasal bridge and projecting snout. The open mouth reveals a row of teeth and two prominent fangs bordered by a red mosaic. A small cluster of red is set on the brow. The reverse is hollow. Size: 125mm x 120mm; Weight: 535g Provenance: Prince collection, 1990s-2014; Ex. Collibri Group, 2010; Ex. private American collection of C. Arundel; previously in a private collection of his father Ian Arundel since the 1960s. A copy of the Affidavit will accompany the purchase. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Sale of 07/26/2025
Adjudicated
:
CHF 187,500IMPORTANT DIAMOND RING
White gold 750.
Set with 1 brilliant-cut diamond of 6.16 ct, D/VVS1, flanked by 2 pear-shaped diamonds totalling 2.4 ct. 1 pear-shaped diamond of 1.23 ct, E/VS1. Size ca. 57, with resizing spring. The centre stone is currently unset. Upon request, we will be happy to have it reset.
With GIA report no. 1232536209, March 2025 for the middle stone and GIA report no. 11067418, April 2000 for 1 pear-shaped diamond.
The description of this lot is based on the above mentioned report.
-------------------------------------------------
BEEINDRUCKENDER DIAMANT-RING
Weissgold 750.
Klassisch-eleganter Diamant-Ring, die Schauseite besetzt mit 1 Brillant von 6.16 ct D/VVS1, flankiert von 2 Diamant-Tropfen von zus. 2.4 ct. 1 Diamant-Tropfen 1.23 ct, E/VS1. Gr. ca. 57, mit Verkleinerungsspange. Der Mittelstein ist momentan ausgefasst. Auf Wunsch lassen wir den Stein gerne wieder einfassen.
Mit GIA-Report Nr. 1232536209, März 2025, für den Mittelstein und GIA-Report 11067418, April 2000, für einen der Diamant-Tropfen.
Die Beschreibung dieses Lots basiert auf oben erwähnten Gutachten.
Sale of 06/25/2025
Adjudicated
:
CHF 6,177,000PAUL SIGNAC
(1863 Paris 1935)
Saint-Tropez, port en fête. 1895.
Oil on canvas.
Signed and dated lower right: P. Signac / 95.
Entitled verso on the stretcher: Port en fête – Saint-Tropez.
65.5 × 81 cm.
Certificate:
Marina Ferretti-Bocquillon, Paris, 29.4.2025.
Provenance:
- The artist's studio.
- Arsène Alexandre, Paris, acquired in 1902 directly from the artist.
- Sale Galerie Georges Petit, vente A. Alexandre, Paris, 18./19.5.1903, Lot 60.
- F. Féneon, Paris, acquired at the above auction, until 1912.
- With Galerie Bernheim-Jeune & Cie, Paris.
- Private collection, Munich, acquired in 1912 at the above gallery (original receipt available).
- Private collection, Germany, by descent.
Exhibited:
- Paris 1895, Salon de l'Art Nouveau, Galerie Siegfried Bing, 28.12.1895–Jan 1896, no. 179.
- Paris 1896, Exposition de la Société des Artistes Indépendants, Palais des Arts Libéraux, 9.4.–26.5.1896, no. 1056.
- Paris 1902, Exposition d'œuvres de Paul Signac, Galerie de l'Art Nouveau (Siegfried Bing), 2.6.1902, no. 9 ("Bateaux pavoisés").
- Brussels 1904, Exposition des Peintres Impressionnistes, La Libre Esthétique, 25.2.–29.3.1904, no. 151 ("Bateaux pavoisés").
- Paris 1907, Paul Signac, Galerie Bernheim-Jeune, 21.1.–2.2.1907, no. 20 ("Saint-Tropez. Matin de fête"; with ill of the sketch).
- Troyes 1909, Société Artistique de l'Aube, no. 265.
- London 1910, Manet and the Post-Impressionists, Grafton Galleries, 8.11.1910–15.1.1911, no. 57.
Literature:
- Françoise Cachin: Catalogue raisonné de l'œuvre peint, Paris 2000, p. 220, no. 276 (with ill. of the sketch).
- Gustave Kahn: Les petites expositions. M. Paul Signac, in: Le Petit Bleu de Paris, 3.6.1902, p. 3.
- Laertes: La quinzaine artistique, in: La Dépêche de Toulouse, 12.6.1902, p. 1.
- Edmond Pilon: Paul Signac (chez Bing), in: Aujourd'hui, June–July 1902, p. 85.
- L'Écho de France, 2.3.1904.
- G. Denoinville: Sensations d'art (2ème série), in: Voltaire, 2.3.1904, p. 3.
- Société artistique de l'Aube, in: Le Petit Troyen, 9.10.1909.
- J.-C. Holl: La jeune peinture contemporaine, Paris 1912, p. 77.
- Marina Ferretti-Bocquillon: Paul Signac au temps d'harmonie 1895–1913, in: Signac et la libération de la couleur, Münster 1996, p. 65.
Our thanks to Marina Ferretti and Charlotte Cachin for their assistance in cataloguing this work.
* The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration.
-------------------------------------------------
PAUL SIGNAC
(1863 Paris 1935)
Saint-Tropez, port en fête. 1895.
Öl auf Leinwand.
Unten rechts signiert und datiert: P. Signac / 95.
Verso auf dem Keilrahmen betitelt: Port en fête – Saint-Tropez.
65,5 × 81 cm.
Gutachten:
Marina Ferretti-Bocquillon, Paris, 29.4.2025.
Provenienz:
- Künstleratelier.
- Arsène Alexandre, Paris, 1902 direkt vom Künstler erhalten.
- Auktion Galerie Georges Petit, vente A. Alexandre, Paris, 18./19.5.1903, Los 60.
- F. Féneon, Paris, an obiger Auktion erworben, bis 1912.
- Galerie Bernheim-Jeune & Cie, Paris.
- Privatsammlung München, 1912 in obiger Galerie erworben (Originalrechnung vorhanden).
- Privatsammlung Deutschland, durch Erbschaft erhalten.
Ausstellungen:
- Paris 1895, Salon de l'Art Nouveau, Galerie Siegfried Bing, 28.12.1895–Januar 1896, Nr. 179.
- Paris 1896, Exposition de la Société des Artistes Indépendants, Palais des Arts Libéraux, 9.4.–26.5.1896, Nr. 1056.
- Paris 1902, Exposition d'œuvres de Paul Signac, Galerie de l'Art Nouveau (Siegfried Bing), 2.6.1902, Nr. 9 (Titel: "Bateaux pavoisés").
- Brüssel 1904, Exposition des Peintres Impressionnistes, La Libre Esthétique, 25.2.–29.3.1904, Nr. 151 (Titel "Bateaux pavoisés").
- Paris 1907, Paul Signac, Galerie Bernheim-Jeune, 21.1.–2.2.1907, Nr. 20 (Titel: "Saint-Tropez. Matin de fête"; mit Abb. der Skizze).
- Troyes 1909, Société Artistique de l'Aube, Nr. 265.
- London 1910, Manet and the Post-Impressionists, Grafton Galleries, 8.11.1910–15.1.1911, Nr. 57.
Literatur:
- Françoise Cachin: Catalogue raisonné de l'œuvre peint, Paris 2000, S. 220, Nr. 276 (mit Abb. der Skizze).
- Gustave Kahn: Les petites expositions. M. Paul Signac, in: Le Petit Bleu de Paris, 3.6.1902, S. 3.
- Laertes: La quinzaine artistique, in: La Dépêche de Toulouse, 12.6.1902, S. 1.
- Edmond Pilon: Paul Signac (chez Bing), in: Aujourd'hui, Juni–Juli 1902, S. 85.
- L'Écho de France, 2.3.1904.
- G. Denoinville: Sensations d'art (2ème série), in: Voltaire, 2.3.1904, S. 3.
- Société artistique de l'Aube, in: Le Petit Troyen, 9.10.1909.
- J.-C. Holl: La jeune peinture contemporaine, Paris 1912, S. 77.
- Marina Ferretti-Bocquillon: Paul Signac au temps d'harmonie 1895–1913, in: Signac et la libération de la couleur, Münster 1996, S. 65.
Wir danken Marina Ferretti und Charlotte Cachin für die Unterstützung bei der Katalogisierung dieses Werks.
Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.
Sale of 06/27/2025
Adjudicated
:
€360,000FRANÇOIS-XAVIER LALANNE (1927-2008)
BÉLIER, LES NOUVEAUX MOUTONS SERIES, 1997
Bronze with patina and epoxy stone
Monogrammed fxl, stamped LALANNE, dated 1997, numbered 88/250 and with the Landowski Fondeur's stamp under the muzzle
Patinated bronze and epoxy stone; monogrammed fxl, stamped LALANNE, dated 1997, numbered 88/250 and with the foundry mark Landowski Fondeur under the muzzle
93 X 102 X 35 CM - 36 5/8 X 40 1/8 X 13 3/4 IN.
PROVENANCE
Private collection
BIBLIOGRAPHY
Daniel Marchesseau, Les Lalanne, Éditions Flammarion, Paris, 1998, reproduced on p. 37 (a similar example)
Claude & François-Xavier Lalanne, cat. exhibition, Paul Kasmin Gallery, New York and Ben Brown Fine Arts, London, 2006, reproduced pp. 3 and 66 (similar examples)
Daniel Abadie, Lalanne(s), Éditions Flammarion, Paris, 2008, reproduced p. 188 (a similar copy)
Les Lalanne on Park Avenue, cat. exhibition, Paul Kasmin Gallery, New York, 2009, reproduced (n.p.) (one similar copy)
Les Lalanne at Fairchild, cat. exhibition, Paul Kasmin Gallery, Coral Gables, 2010, reproduced (n.p.) (an identical copy)
Les Lalanne, cat. exhibition, Musée des Arts Décoratifs, Paris, 2010, reproduced p. 143 (a similar copy)
Paul Kasmin, Claude & François-Xavier Lalanne: Art, Work, Life, Éditions Skira Rizzoli, New York, 2012, reproduced (n.p.) (a similar copy)
Les Lalanne: Fifty Years of Work, 1964-2015, cat. exp., Paul Kasmin Gallery, New York, 2015, reproduced pp. 71, 77, 88-89 and 106-108 (similar copies)
Adrian Dannatt, François-Xavier & Claude Lalanne: In the Domain of Dreams, Rizzoli Editions, New York, 2018, reproduced pp. 65, 181-182, 192 and 210 (similar copies)
See original version (French)
Sale of 06/18/2025
Adjudicated
:
£240,000RARE AZTEC / MIXTEC TURQUOISE MOSAIC MASK OF JAGUAR Ca. AD 1400 - 1521. A mask formed from a stucco core inlaid on the exterior with turquoise tesserae. The wide, circular eyes are set with dark stone inlays. The nostrils are cut through the surface, forming two openings between the raised nasal bridge and projecting snout. The open mouth reveals a row of teeth and two prominent fangs bordered by a red mosaic. A small cluster of red is set on the brow. The reverse is hollow. Size: 125mm x 120mm; Weight: 535g Provenance: Prince collection, 1990s-2014; Ex. Collibri Group, 2010; Ex. private American collection of C. Arundel; previously in a private collection of his father Ian Arundel since the 1960s. A copy of the Affidavit will accompany the purchase. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Sale of 07/26/2025
Adjudicated
:
CHF 187,500IMPORTANT DIAMOND RING
White gold 750.
Set with 1 brilliant-cut diamond of 6.16 ct, D/VVS1, flanked by 2 pear-shaped diamonds totalling 2.4 ct. 1 pear-shaped diamond of 1.23 ct, E/VS1. Size ca. 57, with resizing spring. The centre stone is currently unset. Upon request, we will be happy to have it reset.
With GIA report no. 1232536209, March 2025 for the middle stone and GIA report no. 11067418, April 2000 for 1 pear-shaped diamond.
The description of this lot is based on the above mentioned report.
-------------------------------------------------
BEEINDRUCKENDER DIAMANT-RING
Weissgold 750.
Klassisch-eleganter Diamant-Ring, die Schauseite besetzt mit 1 Brillant von 6.16 ct D/VVS1, flankiert von 2 Diamant-Tropfen von zus. 2.4 ct. 1 Diamant-Tropfen 1.23 ct, E/VS1. Gr. ca. 57, mit Verkleinerungsspange. Der Mittelstein ist momentan ausgefasst. Auf Wunsch lassen wir den Stein gerne wieder einfassen.
Mit GIA-Report Nr. 1232536209, März 2025, für den Mittelstein und GIA-Report 11067418, April 2000, für einen der Diamant-Tropfen.
Die Beschreibung dieses Lots basiert auf oben erwähnten Gutachten.
Sale of 06/25/2025
Adjudicated
:
CHF 6,177,000PAUL SIGNAC
(1863 Paris 1935)
Saint-Tropez, port en fête. 1895.
Oil on canvas.
Signed and dated lower right: P. Signac / 95.
Entitled verso on the stretcher: Port en fête – Saint-Tropez.
65.5 × 81 cm.
Certificate:
Marina Ferretti-Bocquillon, Paris, 29.4.2025.
Provenance:
- The artist's studio.
- Arsène Alexandre, Paris, acquired in 1902 directly from the artist.
- Sale Galerie Georges Petit, vente A. Alexandre, Paris, 18./19.5.1903, Lot 60.
- F. Féneon, Paris, acquired at the above auction, until 1912.
- With Galerie Bernheim-Jeune & Cie, Paris.
- Private collection, Munich, acquired in 1912 at the above gallery (original receipt available).
- Private collection, Germany, by descent.
Exhibited:
- Paris 1895, Salon de l'Art Nouveau, Galerie Siegfried Bing, 28.12.1895–Jan 1896, no. 179.
- Paris 1896, Exposition de la Société des Artistes Indépendants, Palais des Arts Libéraux, 9.4.–26.5.1896, no. 1056.
- Paris 1902, Exposition d'œuvres de Paul Signac, Galerie de l'Art Nouveau (Siegfried Bing), 2.6.1902, no. 9 ("Bateaux pavoisés").
- Brussels 1904, Exposition des Peintres Impressionnistes, La Libre Esthétique, 25.2.–29.3.1904, no. 151 ("Bateaux pavoisés").
- Paris 1907, Paul Signac, Galerie Bernheim-Jeune, 21.1.–2.2.1907, no. 20 ("Saint-Tropez. Matin de fête"; with ill of the sketch).
- Troyes 1909, Société Artistique de l'Aube, no. 265.
- London 1910, Manet and the Post-Impressionists, Grafton Galleries, 8.11.1910–15.1.1911, no. 57.
Literature:
- Françoise Cachin: Catalogue raisonné de l'œuvre peint, Paris 2000, p. 220, no. 276 (with ill. of the sketch).
- Gustave Kahn: Les petites expositions. M. Paul Signac, in: Le Petit Bleu de Paris, 3.6.1902, p. 3.
- Laertes: La quinzaine artistique, in: La Dépêche de Toulouse, 12.6.1902, p. 1.
- Edmond Pilon: Paul Signac (chez Bing), in: Aujourd'hui, June–July 1902, p. 85.
- L'Écho de France, 2.3.1904.
- G. Denoinville: Sensations d'art (2ème série), in: Voltaire, 2.3.1904, p. 3.
- Société artistique de l'Aube, in: Le Petit Troyen, 9.10.1909.
- J.-C. Holl: La jeune peinture contemporaine, Paris 1912, p. 77.
- Marina Ferretti-Bocquillon: Paul Signac au temps d'harmonie 1895–1913, in: Signac et la libération de la couleur, Münster 1996, p. 65.
Our thanks to Marina Ferretti and Charlotte Cachin for their assistance in cataloguing this work.
* The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration.
-------------------------------------------------
PAUL SIGNAC
(1863 Paris 1935)
Saint-Tropez, port en fête. 1895.
Öl auf Leinwand.
Unten rechts signiert und datiert: P. Signac / 95.
Verso auf dem Keilrahmen betitelt: Port en fête – Saint-Tropez.
65,5 × 81 cm.
Gutachten:
Marina Ferretti-Bocquillon, Paris, 29.4.2025.
Provenienz:
- Künstleratelier.
- Arsène Alexandre, Paris, 1902 direkt vom Künstler erhalten.
- Auktion Galerie Georges Petit, vente A. Alexandre, Paris, 18./19.5.1903, Los 60.
- F. Féneon, Paris, an obiger Auktion erworben, bis 1912.
- Galerie Bernheim-Jeune & Cie, Paris.
- Privatsammlung München, 1912 in obiger Galerie erworben (Originalrechnung vorhanden).
- Privatsammlung Deutschland, durch Erbschaft erhalten.
Ausstellungen:
- Paris 1895, Salon de l'Art Nouveau, Galerie Siegfried Bing, 28.12.1895–Januar 1896, Nr. 179.
- Paris 1896, Exposition de la Société des Artistes Indépendants, Palais des Arts Libéraux, 9.4.–26.5.1896, Nr. 1056.
- Paris 1902, Exposition d'œuvres de Paul Signac, Galerie de l'Art Nouveau (Siegfried Bing), 2.6.1902, Nr. 9 (Titel: "Bateaux pavoisés").
- Brüssel 1904, Exposition des Peintres Impressionnistes, La Libre Esthétique, 25.2.–29.3.1904, Nr. 151 (Titel "Bateaux pavoisés").
- Paris 1907, Paul Signac, Galerie Bernheim-Jeune, 21.1.–2.2.1907, Nr. 20 (Titel: "Saint-Tropez. Matin de fête"; mit Abb. der Skizze).
- Troyes 1909, Société Artistique de l'Aube, Nr. 265.
- London 1910, Manet and the Post-Impressionists, Grafton Galleries, 8.11.1910–15.1.1911, Nr. 57.
Literatur:
- Françoise Cachin: Catalogue raisonné de l'œuvre peint, Paris 2000, S. 220, Nr. 276 (mit Abb. der Skizze).
- Gustave Kahn: Les petites expositions. M. Paul Signac, in: Le Petit Bleu de Paris, 3.6.1902, S. 3.
- Laertes: La quinzaine artistique, in: La Dépêche de Toulouse, 12.6.1902, S. 1.
- Edmond Pilon: Paul Signac (chez Bing), in: Aujourd'hui, Juni–Juli 1902, S. 85.
- L'Écho de France, 2.3.1904.
- G. Denoinville: Sensations d'art (2ème série), in: Voltaire, 2.3.1904, S. 3.
- Société artistique de l'Aube, in: Le Petit Troyen, 9.10.1909.
- J.-C. Holl: La jeune peinture contemporaine, Paris 1912, S. 77.
- Marina Ferretti-Bocquillon: Paul Signac au temps d'harmonie 1895–1913, in: Signac et la libération de la couleur, Münster 1996, S. 65.
Wir danken Marina Ferretti und Charlotte Cachin für die Unterstützung bei der Katalogisierung dieses Werks.
Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.
Sale of 06/27/2025
Adjudicated
:
€360,000FRANÇOIS-XAVIER LALANNE (1927-2008)
BÉLIER, LES NOUVEAUX MOUTONS SERIES, 1997
Bronze with patina and epoxy stone
Monogrammed fxl, stamped LALANNE, dated 1997, numbered 88/250 and with the Landowski Fondeur's stamp under the muzzle
Patinated bronze and epoxy stone; monogrammed fxl, stamped LALANNE, dated 1997, numbered 88/250 and with the foundry mark Landowski Fondeur under the muzzle
93 X 102 X 35 CM - 36 5/8 X 40 1/8 X 13 3/4 IN.
PROVENANCE
Private collection
BIBLIOGRAPHY
Daniel Marchesseau, Les Lalanne, Éditions Flammarion, Paris, 1998, reproduced on p. 37 (a similar example)
Claude & François-Xavier Lalanne, cat. exhibition, Paul Kasmin Gallery, New York and Ben Brown Fine Arts, London, 2006, reproduced pp. 3 and 66 (similar examples)
Daniel Abadie, Lalanne(s), Éditions Flammarion, Paris, 2008, reproduced p. 188 (a similar copy)
Les Lalanne on Park Avenue, cat. exhibition, Paul Kasmin Gallery, New York, 2009, reproduced (n.p.) (one similar copy)
Les Lalanne at Fairchild, cat. exhibition, Paul Kasmin Gallery, Coral Gables, 2010, reproduced (n.p.) (an identical copy)
Les Lalanne, cat. exhibition, Musée des Arts Décoratifs, Paris, 2010, reproduced p. 143 (a similar copy)
Paul Kasmin, Claude & François-Xavier Lalanne: Art, Work, Life, Éditions Skira Rizzoli, New York, 2012, reproduced (n.p.) (a similar copy)
Les Lalanne: Fifty Years of Work, 1964-2015, cat. exp., Paul Kasmin Gallery, New York, 2015, reproduced pp. 71, 77, 88-89 and 106-108 (similar copies)
Adrian Dannatt, François-Xavier & Claude Lalanne: In the Domain of Dreams, Rizzoli Editions, New York, 2018, reproduced pp. 65, 181-182, 192 and 210 (similar copies)
See original version (French)
Sale of 06/18/2025
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