TWO COLLECTIONS BY AMATEURS

See original version (French)

NEVERS.

Jean-Claude CHAURAY for the BERNARDAUD factory in Limoges.

A set of Wedgwood pieces in blue and white or green and whit…

SÈVRES, French National Porcelain Manufactory.

After Albert-Ernest CARRIER-BELLEUSE (1824–1887).

After Albert-Ernest CARRIER-BELLEUSE (1824–1887).

After Jean-Baptiste CARPEAUX (1827–1875).

Late 19th or early 20th-century school.

After Claude MICHEL, known as CLODION (1738–1814).

After Claude MICHEL, known as CLODION (1738–1814).

20th-century school.

SÈVRES.

Antonin CARLES (1851–1919).

Antonin MERCIÉ (1845–1916).

After Michelangelo BUONARROTI, known as MICHELANGELO.

Paul DUBOIS (1829–1905).

After René Charles DE SAINT-MARCEAUX (1845–1915).

19th-century school.

Alexandre FALGUIÈRE (1831–1900).

Based on an antique model, 19th-century French school.

After DONATELLO, 19th-century Italian school.

19th-century school.

Auguste CLÉSINGER (1814–1883).

Gennaro CHIURAZZI (1842–1904), after an ancient model.

Emmanuel FRÉMIET (1824–1910).

Emmanuel FRÉMIET (1824–1910).

After Antoine-Louis BARYE.

19th-century school.

Emmanuel FRÉMIET (1824–1910).

A pair of small bronze candlesticks with a dual patina of go…

According to Battista NINI.

19th-century school.

Carved wooden Lion of Lucerne, given by ‘Ferri, the Marquis …

Antoine Louis BARYE (1795–1875).

Pierre-Jules MÈNE (1810–1879).

Pierre-Jules MÈNE (1810–1879).

Pierre-Jules MÈNE (1810–1879).