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Grégory DERENNE La Cité - 2012
Oil on black canvas
73 x 116 …
See original version (French)
9
-
Grégory DERENNE La Cité - 2012
Oil on black canvas
73 x 116 …
See original version (French)
Estimate €4,000 - €6,000
Voluntary lot
Description
Grégory DERENNE
La Cité - 2012
Oil on black canvas
73 x 116 cm
Oil on canvas
28.74 x 45.66 in.
Provenance: Galerie Bertrand Grimont, Paris
Acquired directly from the latter by the current owner
FR
As a painter of postmodern life, TV studios and brushed steel escalators, Derenne reframes to the point of vertigo, taking an interest in the trivial and elevating it to the mysterious. These deserted passageways exude a disquieting strangeness, on the threshold of unreality. It's no coincidence, then, that his paintings are reminiscent of the crime scenes that Walter Benjamin saw in Eugène Atget's photographs, those "images that disturb the beholder; [and for which] the viewer guesses that he must seek a way in".
Or perhaps a way out via a seemingly infinite staircase. Once a symbol of spiritual elevation in the obscure light of a Rembrandt, of sexual desire in Duchamp's swathes of brown and Richter's layers of grey, today's staircase reflects only the vanity of neon lights left on when all activity has ceased.
Pierre-Henri Foulon, 2016
EN
As a painter of postmodern life, TV studios and brushed steel escalators, Derenne reframes to the point of vertigo, taking an interest in the trivial and elevating it to the mysterious. These deserted passageways exude a disquieting strangeness on the threshold of unreality. It's no coincidence, then, that his paintings are reminiscent of the crime scenes that Walter Benjamin saw in Eugène Atget's photographs, those "images that worry the beholder; [and for which] the viewer guesses that he must seek a way in."
Or perhaps a way out via a seemingly infinite staircase. Once a symbol of spiritual elevation in the obscure clarity of a Rembrandt, of sexual desire in Duchamp's swathes of brown and Richter's layers of grey, today's staircase reflects only the vanity of neon lights left on when activity has ceased.
Pierre-Henri Foulon, 2016
Grégory DERENNE
See original version (French)
Auto-translation. Refer to original language for legal validity.
Pictures credits: Contact the Auction House
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