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OGER-BLANCHET
181
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MAZARINADES] - . . In-4, 20 Mazarinades, contemporary ivory …
See original version (French)
181
-
MAZARINADES] - . . In-4, 20 Mazarinades, contemporary ivory …
See original version (French)
Estimate €400
Voluntary lot
Description
MAZARINADES] - . . In-4, 20 Mazarinades, contemporary ivory vellum.
Triolets (les) de la cour. Paris, N. Bessin, 1649, 10 pages. MOREAU 3851. Rare. They were published shortly after the king's departure; for the author says to the queen: Il y en a qui sont spirituels et bien tournés.
- Lettre du vrai soldat françois au cavalier Georges, ensuite de la Lettre à M. le cardinal, burlesque. Paris, 1649, 19 pages. MOREAU 2207. In this edition, the King of England is called James, instead of Charles;A good play, but, as can be seen, rather common. The author recommends Harlay de Chanvallon, archbishop of Rouen, for the ministry.
- Théologien (le) d'Etat, faithfully translated into burlesque verse, dedicated to the Queen Regent. Paris, 1649, 32 pages. MOREAU 3771. In prose or verse, the Théologien d'Etat is not rare.
- Mazarin (le) portant la hotte dit: J'ai bon dos; je porteai bien tout. (S. 1.), 1649, 7 pages. MOREAU 2434. These verses and those in which Suzanne de Nervèze is mentioned, are not to be found in the copy which Sautreau de Marsy reproduced, p. 328 of the Ist vol. of his Nouveau Siècle de Louis XIV.
- Parnasse (Le) alarmé. - Paris, 1649. In-4° of 16 pages. MOREAU SUPPLEMENT 62. In verses of 8 syllables. See n°72
Remontrance faite à Mazarin à Saint-Germain par un bouffon sur son obstination à demeurer en France, in prose and burlesque verse. Paris, Jacques Guillery, 1649, 7 pages. MOREAU 3326.
- Soupirs françois sur la paix italienne. Jouzte la copie imprimée à Anvers, 1649, 8 pages. MOREAU 3710. This text explains that a pamphlet attributed to François Davenne, both insolent and poetic, was a great success with printers. There were at least seven editions published at almost the same time, with the same overall content but with such differences in presentation (vignettes, typography, page layout, titles, etc.) that it is impossible to determine which was the first. Despite its official suppression by Parliament, the pamphlet continued to circulate, with new and enlarged editions, and some passages were even included in another work entitled Plainte de la France à genoux devant la reine.
- Premier (le) courrier françois, translated faithfully into burlesque verse. Paris, Claude Boudeville, 1649. MOREAU 2848. Twelve issues of 16 and 12 pages. The Courrier en vers is more pleasant than the Courrier en prose; but it is no rarer. Saint-Julien, who wrote it, published a second edition in 1650, revised and much corrected, under the title: le Courrier burlesque de la guerre de Paris.
- Insatiable (l') obligations que les rois de France et leurs couronnes (sic) ont toujours eu (sic) au Parlement de Paris. Paris, Alexandre Lesselin, 1649, 8 pages. MOREAU 1704. Permission to print dated 12 March.
- Dialogue du berger Damon et de la bergère Sylvie sur les affaires du temps. Paris, Nicolas Bessin, 4650, 7 pages. MOREAU 1086.Sylvie is Queen Marie de Médicis; Damon is Henri II, Prince de Condé. This gallant statement simply means that Sylvie has put Damon in Vincennes. The original edition dates from 1614. In the 1650 reprint, Sylvie is Anne of Austria, and Damon is Louis II, Prince of Condé.
- France (la) réjouie par le génie du roi pour la conservation de son royaume, presented to His Majesty. Paris, widow of Anthoine Coulon, 1650, 8 pages. MOREAU 1439. Rimaille sur les plus célèbres bibliotières de Paris, 1649.
- Réveil-matin (le) des curieux touchant les regrets de la petite Nichon, poëme burlesque sur l'amprisonnement (sic) des Princes. Paris, 1650, 7 pages. MOREAU 3538. It is very bad; but it is rare. One must not separate this pamphlet from the Lettres de la petite Nichon.
- Soupirs (les) redoublés de monsieur le Prince consolé de M. le duc de Beaufort. Paris, 1650, 8 pages. MOREAU 3712.
- Fronde (la) ressuscitée (s.l.), 1650, 7 pages. MOREAU 1449. This is the same as Résurrection de la Fronde.
- Fourberie (la) découverte, ou le Renard attrarapé, (S. 1.), 1650, 8 pages. MOREAU 1405. The text explains that, in certain works, animals represent real people: the fox symbolises either the Prince of Condé or the Duke of Longueville, depending on the case. It then goes on to mention an author who makes fun of a poor poet named Gomez, known for his poverty, and an anecdote in which his unexpected presence with the king is surprising in contrast to his condition. Finally, Gomez is presented as a minor writer, best known for an epigram, and compared, along with Maillet, to mediocre figures in poetry.
- Finets (les) affinés, ou l'Emprisonnement des factieux. Paris, 1650, 6 pages. MOREAU 1396. It is the old Fronde who insults, in bad verse, the imprisoned princes.
- Mouchoir (le) pour essuyer les yeux de M. le prince de Condé. Paris, (s. d., 1649), 7 pages. MOREAU 2511. Mauvaises stances sur la mort du due de Châtillon. Sautreau de Marsy collected them in his Nouveau Siècle de Louis XIV, tome I, p. 173.
- Entretiens (les) du prince de Condé et du prince de Conty, répondant l'un à l'autre par le dialogue. Paris, Claude Boudeville, 1650, 7 pages. MOREAU 1252. No less bad than rare, etc.
See original version (French)
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