two drawings of a horse and a bird on a sheet of paper
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193 - One Piece (ワンピース) Monkey D. Luffy Two dôgas in graphite and …
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Estimate €300 - €500
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Description
One Piece (ワンピース) Monkey D. Luffy Two dôgas in graphite and coloured pencils created for the production of the One Piece anime, based on the work of Eiichirō Oda (尾田 栄一郎). Produced by Toei Animation 1999–present, Japan H23 L34.5 cm These two dôgas form a micro-narrative sequence of exceptional density — two consecutive images which, on their own, convey the essence of the character Monkey D. Luffy. First dôga: Luffy, his body bent forward, barely standing, arms hanging limply, teeth clenched, beads of sweat — and the straw hat slipped down his back. This final detail is the most meaningful of the entire composition. The straw hat is the legacy of Red-Haired Shanks — the object around which all of Luffy’s promise is built, the one he never takes off in everyday life. When it slips down his back, it is because his body has given way so completely that even holding on to his hat has become impossible. It is the visual sign of the absolute limit — Luffy is no longer standing by force, he is standing by sheer will alone. Second panel: Luffy is even more hunched over, head bowed, arms at an angle — but in a posture that signals a movement to get back on his feet. This is the central visual paradox of the sequence: the character is lower than in the first dôga, physically closer to total collapse — and yet it is in this second dôga that the recovery begins. The movement of his arms at an angle suggests a redistribution of weight, a readjustment of balance — the body seeking its point of support before straightening up. Together, these two dôgas illustrate what the philosophy of One Piece has implicitly conveyed since its very first episode: a fall is not defeat. Luffy isn’t falling — he’s already getting back up before he’s even hit the ground. The hat on his back suggests he’s reached his limit; the arms at an angle in the second doga suggest he’s ignoring it. In collections of One Piece production materials, the dôgas depicting Luffy in a state of extreme suffering are among the rarest and most sought-after — the series far more frequently depicts its protagonist in active combat or in a victorious pose. These two dôgas—depicting the absolute limit and the beginning of the comeback—constitute a documentary collection of exceptional narrative coherence and depth.
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About the sale Knights, Armour and Samurai + Animation Art Selection
Auction location
Auction time 06/28/2026 at 3:00 PM
Pictures credits: Contact the Auction House
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