1 / 15
Photo 1/15 du lotPhoto 2/15 du lotPhoto 3/15 du lotPhoto 4/15 du lotPhoto 5/15 du lotPhoto 6/15 du lotPhoto 7/15 du lotPhoto 8/15 du lotPhoto 9/15 du lotPhoto 10/15 du lotPhoto 11/15 du lotPhoto 12/15 du lotPhoto 13/15 du lotPhoto 14/15 du lotPhoto 15/15 du lot
Premium Audap & Associés

87 - Édouard GOERG (1893-1969) Heurs et malheurs du paysan, 1936 …
See original version (French)

Estimate €2,000 - €3,000
Sale commission
Description
Édouard GOERG (1893-1969) Heurs et malheurs du paysan, 1936 Oil on canvas, signed, dated 36 lower right and titled on the back. (Framed, repainted at the edges and small dots at the top). Height 81 cm; Width: 100 cm Provenance : - Sale Maurice Garnier Collection, Succession Ida Garnier, Artcurial, Paris, 9 December 2020, no. 326 ; - Private collection. Bibliography: - Jean DUCHE, "Où les artistes vont-ils chercher le tragique?", Formes et Couleurs, no. 3, 1946, rep. ; - Gaston DIEHL, Édouard Goerg, Paris, Éditions de Clermont, 1947, rep. p.57 ; - WALDEMAR-GEORGE, Édouard Goerg, Genève, Pierre Cailler Éd., 1965, plate 23. Exhibitions: - Goerg, Galerie Drouant-David, Paris, 26 October-14 November 1942, no. 39; - Salon d'Automne, Hommage à Édouard Goerg, Grand Palais, Paris, 1970, no. 28; - Le Surréalisme dans l'œuvre d'Édouard Goerg, Musée de l'Hôtel Sandelin, Saint-Omer, 26 May-30 June 1989. Will appear in the catalogue raisonné of Édouard Goerg's painted work currently being prepared by Philippine Maréchaux and Francine Germak. Édouard Goerg, painter and engraver, born in 1893 in Sydney to French parents living in Australia, studied at the Académie Ranson until the outbreak of war in 1914. Having returned from the front shaken and revolted, the young artist wanted to try to move and change the world in his own way. He depicted the bourgeois society that had led them to war with cynicism and sarcasm. He stretched his models and caricatured the men, to make them eloquent, the physical deformation to reflect that of the soul. In the 1920s, Édouard Goerg exhibited in Paris at the Galerie Panardie, Berthe Weill and Georges Bernheim, in Brussels at the Galerie du Centaure and Paul Guillaume presented his work in London, New York, Chicago, Boston and Philadelphia. Around 1934, misery, social injustice and the rise of fascism in Europe inspired the artist to produce a series of works known as "fantastical", cruel and absurd in the image of the world around him, of which we present here three canvases: "Le parachutiste. Bonne Année", "La Guerre Civile" and "Heurs et Malheurs du paysan". Goerg's apocalyptic visions came to an end in 1939 when the threat of war became a reality and, in defiance of the occupying forces, he painted carefree flower-women, as if life were beautiful... Expert : Élisabeth MARÉCHAUX-LAURENTIN & Philippine MARÉCHAUX | Cabinet MARÉCHAUX
See original version (French)
Auto-translation. Refer to original language for legal validity.
About the sale Modern drawings, paintings & sculptures - 20th century decorative arts & design
Auction location
Auction time 06/26/2026 at 2:00 PM
Pictures credits: Contact the Auction House
You may also like