two blue vases sitting on top of each other on a white surfacethree pieces of blue and gold decorated vases sitting on top of each otherthree blue and gold vases with floral designs on them on a white surfacethree vases that are sitting next to each otherthree gold cufflinks with blue and white designs on them
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1597 - A set comprising three pot-pourri vases, late Louis XVI peri…
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Estimate CHF 10,000 - CHF 15,000
Description
A set comprising three pot-pourri vases, late Louis XVI period, in Sèvres porcelain with a polychrome decoration of a half-circle of roses within gold-leaf cartouches on a ‘nouveau’ blue ground, gilded bronze mounts forming a pedestal, square base, handles, galleries and a handle featuring motifs of ovals, interlaced reeds, godrons, laurel toruses and foliage; sunken marks; the central vase bearing a purple mark of two interlaced L’s, painter’s marks for Jacques de Laroche and in blue for Boulanger, the pair of vases circa 1777, blue marks with two interlaced Ls, date letter ‘z’, painter’s marks for Boulanger, gilder’s mark for Nicquet, height of the pair: 25 cm, height of the pot-pourri: 29 cm Provenance: Christie’s, Paris, 5 November 2014, lot 94 shows signs of chipping A collection of 18th-century mounted vases In the 18th century, Parisian haberdashers played a vital role in the trade, enrichment and dissemination of luxury art objects. Acting as intermediaries between collectors, porcelain makers and bronze casters, they contributed in particular to the creation of these exceptional objects combining porcelain with gilded bronze mountings. Regarded as a precious material for its delicacy, whiteness and lustre, Chinese porcelain captivated European connoisseurs. The works produced at Sèvres soon added to this craze. Set in gilded bronze mounts of elegant and skilfully crafted forms, these porcelain pieces became true collector’s items, intended for the most prestigious interiors and bearing witness to the refined taste of the European aristocracy.
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