Premium ROUILLAC
44
-
René Benjamin’s theatrical vocation: from observation to the…
See original version (French)
44
-
René Benjamin’s theatrical vocation: from observation to the…
See original version (French)
Estimate €1,500 - €2,500
Voluntary lot
Description
René Benjamin’s theatrical vocation: from observation to the stage
A collection of manuscripts, notes, correspondence, first editions and miscellaneous items
FIND THE FULL AND DETAILED DESCRIPTION OF THIS LOT IN OUR ONLINE AUCTION CATALOGUE
Le Médecin malade, a comedy in four acts (1920)
Handwritten draft on loose sheets, over 110 pp., in-12 and in-8 formats
Handwritten notes on loose sheets
L’Ecole du bobard, a comedy in four acts (1921)
Handwritten draft with crossings-out, corrections and additions, over 50 pp., in-4
Typescripts with handwritten corrections, over 100 pp., in-4
Les plaisirs du hasard, a comedy in four acts (1922)
Poster
Press cuttings
Over 75 letters to and from René Benjamin, 1922–1925
Programme for the Théâtre du Marais, 1924–1925 season
*Les plaisirs du hasard*, a comedy in four acts
Paris, Editions de la nouvelle revue française, 1922
Half-chagrin binding with corner pieces, spine with five raised bands, gilt lettering and gilt head, 16 x 10 cm
Autograph dedication signed by the author
*Everyone Must Be in Their Place*, a comedy in three acts (1924)
Manuscript draft, November 1921–December 1923, with deletions and corrections by René Benjamin and Jacques Copeau, 220 pp., in-4
*Everyone Must Be in Their Place*, a comedy in three acts
Paris, Editions de la nouvelle revue française, 1924
First edition on Lafuma pure-fibre paper, no. 1 in the series
Half-chagrin binding with corner pieces, spine with five raised bands, gilt lettering and gilt head, 16 x 10 cm
Paris, a play in two acts and eight scenes (1932), and film adaptation (1937)
Play (1931–1932)
Handwritten/typescript draft with corrections and deletions, January 1930–August 1931, 280 pp., in-4
Handwritten notes by René Benjamin on loose sheets, over 40 pp., in-8, detailing the preparation and rehearsals, 1931–1932
2 programme booklets for the play, small poster
11 photographic prints signed by Henri Manuel of scenes from the performance at the Théâtre de la Porte Saint-Martin
Press cuttings
Over 110 letters and postcards, 1931–1932, addressed to René Benjamin
The film (1936–1937)
Typewritten script of the dialogues (in part)
Small poster
Incoming correspondence, including several letters from the actress Paulette Fordyce
Silver gelatin photograph: Harry Baur and René Benjamin in rehearsal, 16 x 22 cm
Monsieur Fritz Franz Neumann, a comedy in four acts (1934)
Handwritten draft, July–September 1932, with deletions and corrections, 246 pp., in-4
Playbill
Approx. 70 letters (both sent and received), 1933–1934, including several letters from René Reding, director of the Théâtre Royal du Parc in Brussels, who wished to stage the play, and signed letters from the play’s two leading actors, Aimé Clariond and Délia Col
Press cuttings
*Girouette*, a comedy in four acts (1935)
Handwritten draft, October 1933–June 1934, with deletions and corrections, 315 pp., in-4; the play was originally titled *Le dernier homme libre*, then *Le bel âge*
In-4 typescript finalised by Compère, with handwritten corrections
4 silver gelatin photographic prints of the play, 18 x 24 cm
45 letters (L.A.S./P.A.S./L.S.), 1934–1935, including from Saturnin Fabre (actor), Paulette Fordyce (actress), Lucien Lallemand (actor), etc.
Press cuttings, handwritten notes by René Benjamin
Etc...
FIND THE FULL AND DETAILED DESCRIPTION OF THIS LOT IN OUR ONLINE AUCTION CATALOGUE
See original version (French)
Auto-translation. Refer to original language for legal validity.
About the sale
René Benjamin, the 20th-century Balzac scholar
Auction location
Auction time
10/06/2026 at 2:00 PM
Pictures credits: Contact the Auction House
You may also like