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John ARMLEDER Austrasia - 2014
Acrylic, spray paint and coll…
See original version (French)
64
-
John ARMLEDER Austrasia - 2014
Acrylic, spray paint and coll…
See original version (French)
Estimate €15,000 - €20,000
Voluntary lot
Description
John ARMLEDER
Austrasia - 2014
Acrylic, spray paint and collage on canvas
Signed, titled and dated on the back
150 x 110 x 4 cm
Acrylic, spray paint and collages on canvas; signed, titled and dated on the reverse
59.05 x 43.30 x 1.57 in.
Provenance: Galerie Catherine Issert, Saint-Paul de Vence
Acquired directly from the latter by the current owner
Exhibitions : Biot, Musée Fernand Leger, JOHN ARMLEDER, from 28 June to 6 October 2014
We would like to thank Mrs Catherine Issert for the information she kindly provided.
FR
Active since the late 60s, notably within the Geneva-based group Écart, Swiss artist John Armleder's work began to gain recognition in the 80s. His "ameublements" or "Furniture-sculpture", as the artist calls his arrangements of "reworked" furniture objects, brought him to international attention.
Influenced by the multimedia proposals of the Fluxus movement, Armleder's work questions notions of authenticity and originality, and more generally the relationship between art and reality. The objects combined with his paintings, the elementary forms (stripes, polka dots) or free forms (drips), and all the devices used to stage his work (scaffolding, green plants, televisions) question the reception of his works, between art and decoration, object and subject, and more generally between art and life.
EN
Active since the late 1960s, notably as a member of the Geneva-based group Écart, Swiss artist John Armleder began to gain recognition for his work in the 1980s. The "furniture-sculptures
furniture-sculptures," as the artist calls his arrangements of "retouched" furnishings, brought him to international attention.
Influenced by the multimedia works of the Fluxus movement, Armleder's work questions notions of authenticity and originality and, more broadly, art's relationship to reality. The objects combined with his paintings, the elementary forms (stripes, dots) or free-form elements (drips), as well as the various methods used to stage his work (scaffolding, potted plants, televisions), challenge the reception of his works, straddling the line between art and the decorative, object and subject, and more broadly between art and life.
John ARMLEDER
See original version (French)
Auto-translation. Refer to original language for legal validity.
Pictures credits: Contact the Auction House
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