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193
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International Postwar Milshtein, Zwy
Une Semaine chez Tante …
See original version (German)
193
-
International Postwar Milshtein, Zwy
Une Semaine chez Tante …
See original version (German)
Estimate €800 - €1,200
Voluntary lot
Description
International Postwar
Milshtein, Zwy
Une Semaine chez Tante Rose. 1976. With one original drawing and 10 (11) signed etchings, plus one additional etching. Drypoint etching, embossing and original drawing. Each measuring 29.5 x 30.5 (56 x 37 cm) to 42.5 x 31.5 cm (53.5 x 37.8 cm). Each signed and dated. - Loose sheets in a half-leather folder. - Magnificent, ridged prints, some with plate tone.
One of 57 copies (10 etchings), or one of 100 copies. - The original drawings on the cover. Also included: an original photograph of the artist drawing the cover. - Zwy Milshtein (1934–2020) was a Romanian-French artist who, as a Jew, fled from the Nazis and Stalinism and, after spending time in Georgia, Israel and Bucharest, arrived in Paris in 1956 thanks to a scholarship, where he settled permanently. In 1947, he travelled via Cyprus to Israel, where he studied sculpture under the sculptor Asaf Ben Zvi. In Israel (1948–1956), he studied under the painters Raitler, Avni, Ardon and Mokady, and held his first solo exhibition in Tel Aviv in 1954. In 1956, a scholarship from the Norman Foundation enabled him to move to Paris, where he settled permanently and immediately became part of the Paris School circle. As the youngest member of the Paris School, he moved in the circles of Rouault, drew inspiration from Bosch, Goya, Chagall and Soutine, and was invited by Roland Topor to the final exhibition of the Panic Movement group in 1991. His prints are characterised by expressive power, humanistic depth and an unmistakable visual language that straddles chaos and poetry. They teem with human figures, faces and characters – portraits and self-portraits that appear frightened, amused or lost. In his work, everyday objects take on an almost epic dimension. His visual world combines memories, imaginary peoples, scenes of war and mythological references into a vivid, dreamlike panopticon.
Includes one original drawing and 10 (11) signed etchings, as well as one additional etching. Drypoint etching, embossing and original drawing respectively. Each signed and dated. – Loose sheets in a half-cloth portfolio. - Magnificent impressions rich in burrs, some with plate tone. One of 57 copies (10 etchings), or one of 100 copies respectively. - The original drawings on the cover. Included: an original photograph of the artist drawing the cover. - Zwy Milshtein (1934–2020) was a Romanian-French artist who, as a Jew, fled the Nazis and Stalinism and, after periods in Georgia, Israel and Bucharest, arrived in Paris in 1956 on a scholarship, where he settled permanently. In 1947 he reached Israel via Cyprus, where he studied sculpture under the sculptor Asaf Ben Zvi. In Israel (1948–1956) he studied under the painters Raitler, Avni, Ardon and Mokady, and held his first solo exhibition in Tel Aviv in 1954. In 1956, a scholarship from the Norman Foundation enabled him to move to Paris, where he settled permanently and immediately became part of the circle of the School of Paris. As the youngest member of the School of Paris, he moved in the circle of Rouault, drew inspiration from Bosch, Goya, Chagall and Soutine, and was invited by Roland Topor in 1991 to the final exhibition of the Panic Movement group. His graphic works are characterised by expressive power, humanistic depth and a distinctive visual language poised between chaos and poetry. They teem with human figures, faces and characters – portraits and self-portraits that appear startled, amused or lost. Everyday objects take on an almost epic dimension in his work. His visual world combines memories, imaginary peoples and scenes of war.
See original version (German)
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